Music on Record

From childhood to adult

I started playing accordion when I was six. It was bigger than I was. I could play it alone for hours and did. Then I sat down in an orchestra and found out I had been doing the easy half.

Xinhui playing the accordion

Listening is key

In an accordion orchestra you literally cannot play without listening. Every part carries its own melody. Sometimes mine is the one that should be heard, so I lift it. Sometimes it should sink into the others, so I pull back and hold the ground for someone else to shine on.

I have never found a better description of collaboration. Not a metaphor for it. The thing itself, with sound.

I research how people work together when they are apart. It is the same question, without the sound. Who is carrying the melody right now, and who noticed.

The Baidi Accordion Orchestra performing together

From player to vice leader

At some point I started teaching. As part teacher I worked with the younger players on their own lines, helping them practice, helping them hear the others while they play. That was the first time I was responsible for anyone but myself. Getting a phrase right on my own is one problem. Getting sixteen people to the same bar together is another one entirely.

Later I became vice leader. I ran rehearsals, assigned parts, and kept bringing new players up to speed. Assigning parts is what I remember most. You are not handing out difficulty levels. You are telling people who gets heard in this piece and who holds the ground, and then making it sound like one thing.

I also played on two professionally recorded CDs with the orchestra, West Side Story and Emotion and Fantasize. Recording is where the listening gets ruthless. On stage a wobble passes. On a recording it stays.

Emotion and Fantasize CD
Emotion and Fantasize
West Side Story CD
West Side Story

The Baidi Accordion Orchestra

Baidi Accordion Orchestra is a non-profit orchestra of young accordion players. For many years it has given special performances at grand venues such as the Music Hall of the National Grand Theatre and the Beijing Century Theatre. It has also been invited to perform at the 4th Japan International Accordion Festival, at the French National and International Accordion Centre, and at the John F. Kennedy Center for the Performing Arts. In 2007 the organising committee of the 60th Accordion World Cup invited the band to the United States, where it won broad recognition. Today it has grown into the largest accordion orchestra in China, with the fullest range of voice parts and the most extensive repertoire.

A few good takes

Three excerpts from the two CDs we recorded. Pick one and press play.

French Ballade Unhurried and elegant, a slow swing that leans wistful; late-night, low-lit, a little melancholy. 0:56
Samba Carnival Dense syncopation and bright ornamentation, festive and propulsive, built to keep moving. 0:24
Bossa Nova Warm jazz bass under supple cross-rhythms, with harmony that drifts somewhere unexpected. 0:30